Wastingtown Redux

January 1, 2014

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Moochaholic money snatchers
Misanthropic power-grabbers
Avaricious Wallstreet bankers
Sycophantic KStreet barkers

The misappropriators
Down in Wastingtown
Take the people’s money
And spread it all around

Enterprisin keyster-kissers
Disbelievin merchandizers
Profiteering cluster-bombers
Homicidal problem-solvers

The misappropriators
Down in Wastingtown
Take the people’s money
And spread it all around

by Richard W. Bray

Stoodup

December 22, 2013

toodup


so we had some plans to meet
it was gonna be my treat
just another broke appointment
i’ll have to live the disappointment
and you used to be so sweet

so you’re never gonna come
now my heart is going numb
i sat for about an hour
with a bunch of wilting flowers
how could I ever be so dumb?

so I guess this is the end
you only liked me for a friend
all your kisses and your laughter
didn’t mean a whole lot after
is it so easy to pretend?

does it give your heart a thrill
when you close in for the kill?
is it true that you believe
you only win when you deceive?
or is it just your only skill?

by Richard W. Bray

Just What They Will

December 17, 2013

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folks gonna do just what they will
keep going till they get their fill
you can talk away your life
but you can’t live another’s strife

you only got one chance to live
there are so many ways to give
you can talk away your life
but you can’t live another’s strife

you gotta live in your own head
and so it goes until you’re dead
you can talk away your life
but you can’t live another’s strife

you can’t talk nobody sane
no matter how much you explain
you can talk away your life
but you can’t live another’s strife

by Richard W. Bray

An Old Car with a Good Paintjob

December 11, 2013

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Lord, give me a Mustang
Or a GTO
With some big chrome bumpers
I’ll be ready to go
I’ll take a Sixty-Eight Charger
Or an Oldsmobile
With no power nothing
And some big rubber wheels

I want an old car with a good paintjob
A big solid hunk of American steel
I want an old car with a good paintjob
Take me back to a time when things were real

Lord, give me a pickup
With a three on the tree
With my buddies in back
Like it’s supposed to be
I’ll take red Firebird
Or a Dodge Daytona
We’ll be haulin some ass
From here to Pomona

I want an old car with a good paintjob
A big solid hunk of American steel
I want an old car with a good paintjob
Take me back to a time when things were real

Don’t need a big piece of plastic
With fuel injection
Don’t need no unibody frame
For my protection
Just want an AM/FM
With all transistors
I’ll be hittin the road
Till my butt gets blisters

I want an old car with a good paintjob
A big solid hunk of American steel
I want an old car with a good paintjob
Take me back to a time when things were real

by Richard W. Bray

The Existential Implications of “Unready to Wear”

December 4, 2013

Kurt Vonnegut

Now it is part of the Cartesian mode to think of consciousness as something peculiar to the head.  This is the organ originating consciousness.  It isn’t.  It’s an organ that inflects consciousness to a certain direction, a certain set of purposes, but there’s a whole consciousness here, in the body

Joseph Campbell from The Power of Myth (A PBS Documentary)

Sentience and consciousness are inseparable; thinking is a function of feeling.  The brain is not separate from the body; rather, the brain is part of the central nervous system, which runs throughout the body. In 1952 Kurt Vonnegut wrote a Science Fiction short story called “Unready to Wear” which pokes fun at the Cartesian notion of mind/body separation.

The unnamed narrator of “Unready to Wear” describes how people have become “amphibious” by liberating themselves from “parasite bodies” which “were a lot more trouble than they were worth.” The author notes that when an amphibian vacates the body, anger, greed, jealousy and vanity evaporate.

Although they are content to exist merely as souls, the amphibians maintain warehouses full of bodies which they reenter from time to time for reasons of nostalgia.  For example, the narrator’s wife Madge likes to occasionally visit her former house, so she

borrows a body once a month and dusts the place, though the only thing a house is good for now is keeping termites and mice from getting pneumonia.

As soon as an amphibious person enters body, however, “chemistry takes over” and the person become slave to his “glands”, rendering him

excitable or ready to fight or hungry or mad or affectionate, or—well, you never know what’s going to happen next.

Thus, reunited with a body, the amphibians are immediately overwhelmed by the body’s various appetites.  The narrator notes that he has never

met an amphibian yet who wasn’t easy to get along with, and cheerful and interesting –as long as he was outside a body. And I haven’t met one yet who didn’t turn a little sour when he got into one.

Our protagonist laments that

Nobody but a saint could be really sympathetic or intelligent for more than a few minutes at a time in a body–or happy, either, except in short spurts.

Unfortunately for humanity, our “bodies bring out the worst in us no matter how good our psyches are.” Of course, “Unready to Wear” is a silly story, but satire has its uses. Our narrator complains that “the mind is the only thing about human beings that’s worth anything.  Why does it have to be tied to a bag of skin, blood, hair, bones, and tubes?”  This question practically answer itself.  For human beings, the possibility of consciousness minus a physical body is an absurdity.  As the poet Theodore Roethke astutely explains, We think by feeling. And we have no alternative existential choice. We could never be happy or sad or angry or proud or anything else without the physical sensations that ignite thinking.* Whether we like it or not, human beings are animals.  However, we can take slight solace in the following observation from David Hume:

there is some benevolence, however small, infused into our bosom; some spark of friendship for human kind; some particle of dove kneaded into our frame, along with elements of the wolf and the serpent.

*I’m borrowing that term from Marc D. Hauser

by Richard W. Bray

Valerie Victeema

November 30, 2013

victim

Life is out to get her
It happens all the time
It can never be misfortune
It has to be a crime
Never try to tell her
That pain is all around
Her suffering is special
She wears it like a crown

Everything is tragic
For Valerie Victeema

She had a bad day
It was worse than Hiroshima

The trouble she’s seen
Everyone must know
She’s fishing for some pity
Everywhere she goes
Cry, complain and whimper
Grumble, bitch and groan
Valerie’s existence
Is a never-ending moan

Everything is tragic
For Valerie Victeema

When her toilet overflowed
She reported it to FEMA

by Richard W. Bray

It Never Gets Me Down

November 26, 2013

barloser

I hit the bars in Tucson
I had a wicked thirst
I hoped to find a honey
And open up her purse
I ain’t much to look at
But a lady could do worse
So I polished up my silver tongue
With a couple shots
I scoped me out some honeys
The kind that look real hot
I headed for some tables
And gave it all I got

With diligence my shield
I trek from town to town
I don’t always prosper
But it never gets me down

The gals in this establishment
We’re actin pretty rough
I kept hurlin pickups
But it wasn’t my best stuff
It was time to ice my ego
Cuz I done had enough
Then I spied a vision
Of silky curvy lace
I asked if she’d like to
Take me to her place
She hoisted up her beverage
And threw it in my face

With diligence my shield
I trek from town to town
I don’t always prosper
But it never gets me down

Tucson gals are ornery
Especially in June
Or maybe I was harvesting
The cycles of the moon
I might venture back this way
But it won’t be soon
Those gals weren’t very friendly
But it don’t bother me
Now I’m gonna hit the road
And see what I can see
Perhaps it’s time to check out
The beauties in Tempe

With diligence my shield
I trek from town to town
I don’t always prosper
But it never gets me down

by Richard W. Bray

Baggage

November 22, 2013

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You can act all proper
You can try and hold it in
Stick your finger in the floodgates
But you’re never gonna win

when your baggage
weighs a ton
you can hide
but you can’t run
from the dude in the mirror
and all the things you done

You act like someone else
And pretend it’s all a show
But the pain in your marrow
Is only gonna grow

when your baggage
weighs a ton
you can hide
but you can’t run
from the dude in the mirror
and all the things you done

Time marches on
That river’s gonna flow
And you’re stuck in yourself
Everywhere you go

when your baggage
weighs a ton
you can hide
but you can’t run
from the dude in the mirror
and all the things you done

by Richard W. Bray

Kids Outside Playing

November 15, 2013

kids playing

Warning: nostalgia alert. When I was a kid we had three networks and about seven local television stations to watch on TV, and that was it. That’s right, there was no satellite television and cable TV was only available for the rich folks in Malibu Canyon. The local stations played the same insipid reruns over and over on a perpetual loop. (When I read Dante’s Inferno, I was surprised to find no mention of The Flintstones, I love Lucy, and Gilligan’s Island.)  It was a big deal when the networks played a classic movie like The Sound of Music, Fiddler on the Roof, or The Wizard of Oz.  And it only happened about once a year, so if your car broke down or you had to work late, that was just too darn bad. No VCRs. (Please forgive me if I’m frightening any of my younger readers.)

One Saturday morning when I was about nine years old, my sister Laura and I watched a strange and captivating movie, and then we did something kids used to do with great frequency—we went outside to play. Almost immediately our neighbors Stan and Scott Quackenbos emerged from their house. They had also just finished watching the strange movie.  Then Jason and John Powers joined us. (John was old; he was in high school.) Yes, we had all seen the same movie on tv, and we were talking about it face to face without the aid of electronic gadgets. A short while later, Dwayne Norwood, another high schooler, entered our cul-de-sac. He had trekked all the way down from Lynoak Drive to visit John.

“Man, I just saw the weirdest movie,” he said, and we all laughed.

The movie was Roger Corman’s Little Shop of Horrors. And since we couldn’t google it, we just talked about it, outside on a beautiful sunny Southern California day.

(Yes, younger readers, believe it or not:  Before ratings-driven local news stations convinced parents that there was a pervert hiding behind every tree waiting to abduct us, suburban children were actually allowed to go outside and play all by themselves so long as we made it home before the streetlights came on.)

by Richard W. Bray

A Waste of Time

November 11, 2013

donthate


hating is a waste of time
it wracks my soul
and wrecks my rhyme

if a whirlwind came along
and punished all
who done me wrong

that wouldn’t fix a doggone thing
and how much comfort
would it bring?

spreading pain and misery
won’t help my woes
or set me free

i’ll try to do what Jesus said
and love the folks
who wish me dead

 

by Richard W. Bray