Posts Tagged ‘Poetry’

Hundred Dollar Rip-Off

June 6, 2012

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It was advertised as a chance to have our poetry critiqued by a real live published children’s poet.

We were instructed to bring samples of our work.

So I paid $100 dollars to attend a half-day “poetry workshop” at a lovely private school located in lovely Pacific Palisades, California put on by the SCBWI (the Society of Children’s Book Writers and Illustrators).

Like the several women and one other man who showed up at eight AM that morning, I was percolating with the hope of discovery.  This would be my Dear Mr. Henshaw moment when an authentic published children’s author was going to tell me that I had what it takes to succeed.

But the real live children’s poet who ran this seminar had no intention of soiling her fine artistic temperament by actually reading any our work herself. Instead, we were put into groups and instructed to pass our poems around and leave comments on each other’s work. I got this gem of a comment on my poem My Funny Farm: “Why don’t you try rewriting it without using rhyme?”

In order to kill the last half hour of the seminar without having to engage in a direct one on one conversation with any of us, the Poetess in Charge instructed everyone to place one of her belongings on our respective tables and then each of us was to write a poem about something someone else had supplied.  We were given fifteen minutes to complete this task.

When the woman leading the seminar asked if anyone wanted to read, the women at my table insisted that I share mine. It got a raucous round of laughter, which did not please our instructor one bit. Here’s the poem I wrote that day:

Ode to a Homeopathic PMS Remedy

Cranky, puffy, angry days
Aren’t relieved too many ways
But a homeopathic remedy
Might be what it takes to see
That PMS won’t ruin my day
Now it’s time to go and play

Then I had a nice lunch on the beach in Malibu and went home.

by Richard W. Bray

Exclusive Company

May 31, 2012

misanthropy-redtextwhite

You tell me that I’m angry
It’s really not my fault
The world conspires against me
It’s not about to halt

You tell me that my anger
Won’t do me any good
Tell that to those people
Who aren’t acting like they should

You say I should be thankful
For everything I’ve got
Then I couldn’t complain about
The things that I have not

You say I am not helping
By being pessimistic
But nature gave me eyes
And it made me realistic

You tell me that I shouldn’t
See myself as God
A person needs a mentor
Why’s my choice so odd?

You say, “Get out and mingle
You’re a person, not a stone”
From what I’ve seen of people
I’m better off alone

by Richard W. Bray

In Praise of Boring

May 10, 2012

Macaca_fuscata_juvenile_yawning

It can’t be overstated
That dull is underrated
And boring is sublime
When you need a project ready
Be thorough, slow, and steady
Work and time will make it shine

Don’t make your schedule hurly-burly
Hit the sack and rise up early
And you’ll save yourself much strife
If you’re staying out till three
You’ll find a heap of misery
Home’s the place to make a life

Flash and fancy might be funner
But when you need to do it doner
Painstaking effort is the way
Poco a poco is my motto
And until you win the lotto
You should show up every day

by Richard W. Bray

Murder Machine

May 2, 2012

Murder Machine

Feeds on resentment, hatred and fear
Murder Machine got a million gears
Profits mount—bodies stack high
Politicians—so easy to buy
Blood money drips to the greedy few
Till we’re all in hock to the thieves who rule
Spits out orphans, widows and pain
Murder Machine leaves a wicked stain

by Richard W. Bray

Application #2

April 27, 2012

aaaaLangstonHughes

Here’s something I wrote a few years ago in graduate school for Professor Kaplan:

Application #2

Langston Hughes’s poem Harlem complies with Cleanth Brooks’s assessment of modern poetic technique as “full commitment to metaphor.” The poem consists of six cogent metaphors steeped together to create an elixir incomparable to the flavor of any one of these images standing alone. A raisin, an oozing sore, rancid meat, a sugary crust, a sagging load and an explosion are, by themselves, images which either assault or delight the senses. Hughes’s alchemy blends the first four contradictory metaphors, then offers a lull in the image of a sagging load before suggesting the possibility of an explosion.

The splattering of metaphors in Harlem qualifies as irony according to Brooks’s loose definition: “The obvious warping of a statement by context.”

The tension, or “pressure of context,” resulting from the incongruity of the metaphors in Harlem is resolved through the prospect of obliteration (explosion) of the entire batch of metaphors. This final loud, bright, apocalyptic eruption, so inconsistent with the lazy, passive images which precede it, relieves tension by hinting at annihilation.

The liquid quality of the poem’s first four metaphors reveal the fluid quality of human emotions. They also contain three food images and two carnal references, suggesting that the fulfillment of our dreams is a need just as basic and primal as the appetite for food.

by Richard W. Bray

In Praise of Clever

April 7, 2012

Clever is underrated.

Clever describes one who possesses brilliance, mental sharpness, originality, or quick intelligence. But the word clever also implies shallowness and superficiality.

Fables teach our children that the clever fox is subordinate to the wise old owl. Cleverness is ephemeral but wisdom abides.

According to this distinction between cleverness and wisdom, cleverness is quick and slick whereas wisdom is an invaluable beverage which must ferment over time: wisdom enlightens; cleverness simply amuses. But without intelligence there is no wisdom; there is merely pablum which seeks to comfort.

And even the least refined cleverness has value. Every flash illuminates, if only for an instant.

I hope you enjoy these witty rhymes from Lyrics on Several Occasions. Ira Gershwin was very clever and that is good enough for me.*

Ira Gershwin rhymed embraceable you with irreplaceable you and silk and laceable you in Embraceable You (29-30)

Ira Gershwin rhymed divorcement with of course, meant and he rhymed painless with ball-and-chainless in Sweet Nevada (78)

Ira Gershwin rhymed enjoyment with for girl and boy meant in Nice Work if You can Get it (96)

Ira Gershwin rhymed caress men with yes men and chessmen in How Long has this Been Going On? (277)

Ira Gershwin rhymed four leaf clover time with (my heart) working overtime in ‘S Wonderful (251)

* I realize, of course, that the word clever has often been used to disparage the accomplishments of Jews, just as the word sinister has often been used to impugn their motives. This is not my intention.

Richard W. Bray

Choice

March 23, 2012

Sam thinks
ten drinks
will clean
his spleen
rebuke
and puke
such thoughts
have brought

Bart buys
new tie
with cash
from Nash
gets job
from Bob
repays
next day

Meg mopes
no hope
her guts
erupt
since Ted
switched bed
time flows
pain grows

life hard
says bard
thought makes
hearts break
breathe, cry
soon die
rejoice
in choice

Richard W. Bray

Stream

February 25, 2012

aaaaaaaaaaaaimages

naggin little
melancholy
nibblin at my day
left a hole
that slit my soul
and drained my
hope away

heaven knows
joy comes and goes
who could tell me why?
heaven knows
the river flows
and sometimes
it ebbs dry

day by day
waves slap shore
earth spins round the sun
fill your cup
when joy erupts
soon it will
be gone

Richard W. Bray

Some Provocative Sentences

January 7, 2012

The most lively thought is still inferior to the dullest sensation.

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By the time I was done with the car it looked worse than any typical Indian car that had been driven all its life on reservation roads, which they always say are like government promises—full of holes.

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I tell you his mind bled almost visibly.

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Why should so much poetry be written about sexual love and so little about eating—which is just as pleasurable and never lets you down—or about family affection, or about the love of mathematics.

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In the morning there was a big wind blowing and the waves were running high up on the beach and he was awake a long time before he remembered that his heart was broken.

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Well, then, says I, what’s the use you learning to do right, when it’s troublesome to do right and ain’t no trouble to do wrong, and the wages is just the same?

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Perhaps, when we remember wars, we should paint ourselves blue and go on all fours all day long and grunt like pigs. That would surely be more appropriate than noble oratory and shows of flags and well-oiled guns.

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“Keep your pores open.”

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“But, by what I have gathered from your own Relation, and the Answers I have with much pain wringed from you; I cannot but conclude the Bulk of your Natives, to be the most pernicious Race of little odious Vermin that Nature ever suffered to crawl upon the Surface of the Earth.”

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“There is special providence in the fall of a sparrow.”

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It is only when our appointed activities seem by a lucky accident to obey the particular earnestness of our temperament that we can taste the comfort of complete self-deception.

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“If you could look deep enough into anyone’s character, even perhaps your own, you would find a sense of machismo.”

Compiled by Richard W. Bray

Thinking v. Feeling

December 17, 2011

Theodore_Roethke_as_an_infant,_Saginaw,_Michigan,_ca_1909_(PORTRAITS_699)

Thinking v. Feeling

Poet said We think by feeling
A thought that echoes Hume
No logic-minded being
Would genuflect at tombs

We feel therefore we think
Is what they’re finding out
This unappealing link
Is Descartes turned inside out

With a touch of intervention
From our modern frontal lobe
My breed maintains ascension
On our lovely little globe

Toughest on the block
With more appetite than smarts
Condemned to rule this rock
For the cravings of the heart

by Richard W. Bray