Posts Tagged ‘Facebook’

So What’s the Big Deal About Influencer Marketing?

January 25, 2026

When I First Discovered the Power of Influencers

I will never forget the first time I saw someone playing slot machines on their own television. It was about five years ago, during Covid. I asked her if the site she was using was affiliated with a major casino, and if she knew what percentage of the money gambled was paid out in winnings.

My friend said that it was an offshore company that she didn’t know anything about and she wasn’t sure what the payoff rates were. I was flabbergasted that anyone would use their credit card to gamble when they had no assurance that it was a legitimate operation.

I tried to conceal my incredulity as I asked: “What reason do you have to believe that you have any chance of actually winning money?”

She said: “An influencer that me and my friends like recommended this site.” Apparently, that was good enough for her.

So What’s an Influencer?

According to my friend Gemini, an influencer is “an individual with the power to affect the purchasing decisions, opinions, or behaviors of others due to their authority, knowledge, position, or relationship with their audience.”

For marketers, finding the right influencer to endorse your product can be extremely lucrative. It’s common to hear people boast about ROIs of over $5 for every $1 spent.

Many influencers initially gained notoriety as actors, musicians, athletes, models, and television personalities like Selana Gomez, The Kardashians, Cardi B, Taylor Swift, Beyonce, Amber Rose, Cristiano Ronaldo, and Lionel Messi.

Another group of influencers came into prominence as creators, people who develop high-quality content, such as blogs, memes, and videos.

Targeting Is the Key to Influencer Marketing

There are two main strategies for marketers when it comes to finding people who may be interested in purchasing the goods and services you have to offer:

  1. Casting a wide net through traditional forms of media such as billboards and tv ads and hoping to entice a small percentage of that audience to buy your product.
  2. Targeting people who may already be inclined to buy what you’re selling or people who are actively seeking what you have to offer through strategies like direct mail, inbound marketing, and influencer marketing.

Because targeting is a major component of influencer marketing, audience size is much less important than other factors, such as trust, connectedness, expertise, and authenticity.  

For example, Ronaldo and Messi each have over half a billion Instagram followers, but they probably wouldn’t be a marketer’s first choice for endorsing beauty and skin care products.

In the early days of internet marketing, many marketers who were looking to cast a wide net became infatuated with the notion of going viral. The limited efficacy of this strategy became widely apparent after Evian launched its hugely popular Roller Babies campaign in 2009.  

As marketer Luke Sullivan notes:

It’s no surprise their online video featuring diaper-wearing babies on rollerblades might produce 80 million views. But…Evian sales plummeted by 25 percent…Apparently, roller-skating babies have nothing to do with selling water (1).

According to author and fitness influencer Amanda Russell, viral “is a wildly empty metric….A social post can rack up huge numbers and still not drive any sort of meaningful action. A bunch of eyeballs does not equate to impact, and being the hot topic of conversation isn’t the same as being trustworthy” (2).

Amanda goes on to say: “People assume 10,000 followers are better than 1,000 followers…but it’s just not the case. It’s the loyalty, support and engagement of that following that matters most” (3).

According to Nate Jones, an executive for the Nex Gen practice of UTA Entertainment marketing, “zeroing in on micro-communities can be a more cost-effective and targeted strategy,” than “working with attention-grabbing social media stars such as Alix Earle, MrBeast or Kai Cenat” (4).

What Are People Looking for in an Influencer?

There are influencers for just about any type of interest or activity you can think of, including mommy bloggers, NASCAR dads, fishing aficionados, and beauty product vloggers. What people are looking for when they choose an influencer is:

  • Knowledge
  • Authenticity
  • Engaging content

Being an influencer doesn’t require credentialed authority in a particular field. That’s why “an influencer does not have to be an expert like a dermatologist to give skincare advice, as long as they are a consistent content creator about the topic of skincare.” (5)

Video Content Rules

Although blogging, making personal appearances, books sales, and other activities can all be an important part of the influencer’s toolkit, we’ve come to an age where video content rules, whether it appears on TikTok, YouTube, Facebook, Instagram, X, LinkedIn, Snapchat, or any other social media channel.  

According to Atlantic Monthly contributor Derek Thompson, these days Everything Is Television.

By “television,” I am referring to something bigger than broadcast TV, the cable bundle, or Netflix….Social media has evolved from text to photo to video to streams of text, photo, and video, and finally, it seems to have reached a kind of settled end state, in which TikTok and Meta are trying to become the same thing: a screen showing hours and hours of video made by people we don’t know. (6)

by Richard W. Bray

  1. Luke Sullivan. Hey, Whipple, Squeeze This: The Classic Guide to Creating Great Ads, p 191
  2. Amanda Russell. The Influencer Code: How to Unlock the Power of Influencer Marketing, p 41,
  3. Amanda Russell. The Influencer Code: How to Unlock the Power of Influencer Marketing, p 4
  4. Gillian Follet. Why brands are turning to local leaders–not just social stars–the to build trust and connection, AdAge, August 1, 2025.
  5. Holly Frew. New Research Unveils Key Strategies for influencer authenticity, Georgia State News Hub, February 20,2025
  6. Derek Thompson. Everything Is Television. Derek Thompson dot org, October 10,2025  

									

Every Picture Tells a Story About Someone Who is Happier Than You Are

March 30, 2013

no like

Photographs alter and enlarge our notions of what is worth looking at and what we have a right to observe.

—Susan Sontag
On Photography (3)

Life is not a movie. A life is made up of a million mundane moments; a movie is a carefully constructed sequence of images leading to a climax. Thus watching movies conditions us to believe that an entire life can pivot on one fateful defining moment. Movies tell us that all of our lives could be radically altered if only… For example, the explicit message of the movie Back to the Future is that a struggling, insecure, and miserable man named George McFly and his family could be living rich and happy lives if only George had socked Biff Tannen in the head one time.

My objective here is not to point out that this particular movie, like so many other movies, is predicated on the redemptive power of violence. (Although that’s certainly an essay worth writing.) But it is important to remember that movies are not designed to remind us that existence is a constant struggle, and growth and achievement are painstaking processes, achieved little by little, if achieved at all.

Of course, movies are not meant to prepare us for life (that’s what parents, teachers, coaches, and drill sergeants are for). And watching movies provides all sorts of wonderful benefits. But it is dangerous to allow cinematic sentiments to bleed into our conscious appraisal of the real world. Much life is wasted by people who expect the cavalry to come riding in to save the day at the last moment.

Although still photography lacks the narrative lure of motion pictures, “Photographs are more memorable than moving images, because they are a neat slice of time, not a flow” (17). But this is also an illusion. As Susan Sontag notes in her groundbreaking 1973 book On Photography, “Life is not about significant details, illuminated by a flash, fixed forever. Photographs are” (81).

And the fact that almost all of us are photographers ourselves further obscures the unreality of the photograph: “Photographic images do not seem to be statements about the world so much as pieces of it, miniatures of reality that anyone can make or acquire” (4).

This blurring of memory and memento allow photographs to seduce us in ways that motion pictures cannot; the photographs we treasure seem like authentic pieces of reality. Compared to actual memories, the penumbra of existence, photographs offer an eerie phantasm of lived experience. The contrast between nostalgia and actual physical images that are “fixed forever” is disconcerting: “Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt” (15).

Much has changed in the forty years since Susan Sontag first published On Photography. And although there is no way that she could have anticipated the current explosion of photographic images across the internet, the following observation is more apt than ever: “By furnishing this already crowded world with a duplicate one of images, photography makes us feel that the world is more available than it really is” (24).

Today users share “30 billion pieces of content each month” on Facebook, a phenomenon which “represents the largest database of social information the world has ever witnessed.” Much of this content is made up of photographic images.

According to a recent study, when “experienced over a long time period” the “effects of passive following” of Facebook “can lead to frustration and exhaustion, damaging individual life satisfaction.” For many people, every picture on Facebook tells a story about someone who is happier than they are. For these people, “To possess the world in the form of images is, precisely, to re-experience the unreality and remoteness of the real” (160).

Richard W. Bray