Archive for the ‘Lesson Plans’ Category

nuh-NUH, nuh-NUH, nuh-NUH, nuh-NUH

May 27, 2010

Archibald MacLeish

nuh-NUH, nuh-NUH, nuh-NUH, nuh-NUH

The poem’s meaning is evoked by the structure of words-as-sounds rather than by the structure of words-as-meanings. And the enhanced meaning, which we feel in any true poems, is a product, therefore, of the structure of the sounds.

–Poetry and Experience
by Archibald MacLeish (23)

Scansion records units of rhythm, not units of sense

–All the Fun’s in How You Say a Thing by Timothy Steele (530)

Vocabulary

Meter: The basic rhythmic structure of written and uttered words (not simply poetry)

Iamb: A unit of language consisting of an unstressed syllable and a stressed syllable, in that order.

I once began a lesson on meter to a group of eighth-graders by exaggerating (both verbally and bodily) the inherent iambic rhythms of the following lines of poetry:

“I cannot go to school today,”
Said little Pegg-y Ann McKay
I have the measles and the mumps
A gash, a rash and purple bumps*

A girl in the class looked at me in utter recognition and blurted out,
“I get it:

nuh-NUH, nuh-NUH, nuh-NUH, nuh-NUH
nuh-NUH, nuh-NUH, nuh-NUH, nuh-NUH

I was happy that this student immediately picked up on the main point of my lesson, but I was really thrilled because her description of iambic poetry was, in my opinion, superior to the one that is commonly offered in textbooks, a depiction with a musical correlation which mimics a snare drum:

ti-tum ti-tum ti-tum ti-tum
ti-tum ti-tum ti-tum ti-tum

Here are some examples of iambic meter:

Iambic Monometer–One Beat (nuh-NUH)

Upon His Departure Hence by Robert Herrick

Thus I
Passe by
And die:
As one,
Unknown,
And gone:
I’m made
A shade,
And laid
I’th’grave:
There have
My cave.
Where tell
I dwell,
Farewell.

Iambic Dimeter–Two Beats (nuh-NUH, nuh-NUH)

The Robin by Thomas Hardy

When up aloft
I fly and fly,
I see in pools
The shining sky

Iambic Trimeter–Three Beats (nuh-NUH, nuh-NUH, nuh-NUH)

Touring a Past by Dick Davis

There is no boat to cross
From that ill-favored shore
To where the clashing reeds
Complete the works of war
Together with the grass,
And nesting birds, and weeds.

Iambic Tetrameter–Four Beats (nuh-NUH, nuh-NUH, nuh-NUH,
nuh-NUH)

Now I lay me Down to Sleep

If I should die before I wake
I pray the Lord my soul to take

Iambic Pentameter–Five Beats (nuh-NUH, nuh-NUH, nuh-NUH,
nuh-NUH, nuh-NUH)

Mad Girl’s Love Song by Sylvia Plath

“I shut my eyes and all the world drops dead;
I lift my lids and all is born a-gain
(I think I made you up inside my head.)

One Final Thought


…”scanning” a line is not a dramatic, or poetic reading of a line. Scanning a line is reading it in a special, more or less forced, way, to bring out the meter and any definite derivations or substitutions. Scanning will not bring out the other parts of the tension; it will tend to iron them out. On the other hand, a good dramatic, or poetic, reading will tend to bring out the tensions–but note well that in order to do this it must be careful not to override and completely kill the meter. When that is done, the tensions vanish. (Another reason why the meter must be observed is, of course, that if a line is truly metrical, a reading which actually destroys the meter can only be an incorrect reading–by dictionary and rhetorical standards.) A good dramatic reading is a much more delicate, difficult, and rewarding than a mere scanning. Yet the scanning has its justification, its use. We would argue that a good dramatic reading is possible only by a person who can also perform a scansion.


The Concept of Meter by W.K. Wimsatt and Monroe C. Beardsley
from The Structure of Verse, Edited by Harvey Gross (163-164)

Suggested Further Reading:

The Ode Less Travelled: Unlocking the Poet Within by Stephen Fry

The Sounds of Poetry: A Brief Guide by Robert Pinsky

Versification: A Short Introduction by James McAuley

by Richard W. Bray

* Sick by Shel Silverstein

Resources for a Lesson Plan on Redundancy and An Amusing Teacher Story

March 30, 2010

George Carlin

Resources for a Lesson Plan on Redundancy

Use the list of redundancies from George Carlin’s wonderful book Braindroppings and The Redundant Little Short Story to teach a lesson on redundancies. Carlin’s list includes examples such as PIN number, safe haven, closed fist and linger on. (However, I would quibble with Carlin on the terms time clock and security guard. There’s a difference between a clock and a time clock just as there is a difference between a guard and a security guard.)


The Redundant Little Short Story

The two twins Ted and Ned lived in a teeny tiny little bungalow in the city of Chicago. The silly clown Fred Toolshed was Ted and Ned’s closest best friend. Fred lived in a small cottage near the University of UCLA. One day Ted, Ned, and Fred decided to go on a long journey in search of a famous celebrity or a royal queen. Ted said, “Fred, you would have to be a crazy maniac to travel through snowy blizzards and blustery tornadoes.”

“Ted,” said Ned, “only a stupid ignoramus or a cheap miser would pass up an opportunity to meet big giants, brilliant geniuses and dead mummies.”

So Ted, Ned and Fred had many exciting adventures in search of renowned luminaries and distinguished dignitaries. They also ate frozen popsicles with a young infant named Bed Wetter and an elderly octogenarian named Jed Sledder. The five of them met all kinds of living organisms, including a smelly skunk, a sleepy insomniac, a tiny microorganism, and a tall giraffe.

An Amusing Teacher Story

Sadly, due to the ill-conceived efforts of our current Education Secretary and his two immediate predecessors, frightened school administrators across the country are doing their best to eradicate all traces of art and humanity from the teaching profession (because, you know, teaching should only be about raising test scores).

But this sick, sad trend really has nothing to do with “accountability.” It’s just about power. (Accountability is a nice-sounding word, but in practice it means that schools are micromanaged by bureaucrats in Washington DC instead of being directly accountable to local school boards)

Back in the days before the federal government (a seven-percent stakeholder in education) made it so difficult for teachers to make even the smallest efforts to enrich the lives of their students, I used to show the kids gems like Donald O’Connor singing Make ‘em Laugh or the Nicholas Brother doing their thing in the movie Stormy Weather at the end of the day as we were preparing to go home.

Now, I’ve always been rather sympathetic to Freddy in My Fair Lady because I too find Audrey Hepburn to be irresistibly enchanting. So one day I was trying to explain why Freddy was so smitten with Eliza Doolittle before showing them the song On the Street Where You Live. I said that he had decided to sit in front of this woman’s house for days on end because he was in love with her but she was not in love with him.

One of my girls said, “I get it. He’s a stalker.”

I’m afraid she was right. (Kids really make you think sometimes.)

By Richard W. Bray

A Lesson Plan on Parts of Speech

March 27, 2010


Lewis Carroll

(A brief comment on parts of speech)

Individual words are not parts of speech. Instead, words are forms which act as parts of speech. But you don’t have to take my word for it.

According to Otto Jespersen, from the book The Philosophy of Grammar (1924):

Take the form round: this is a substantive in “a round of a ladder,” “he took his daily round,” an adjective in “a round table,” a verb in “he failed to round the lamp-post,” an adverb in “come round to-morrow,” and a preposition in “he walked round the house.” While similarly may be a substantive (he stayed here for a while), a verb (to while away time), and a conjunction (while he was away)….On the other hand, we have a great many words which can belong to one word-class only; admiration, society, life can only be substantives, polite only an adjective, was, comprehend only verbs, at only a preposition. (61)

A Lesson on Parts of Speech

Materials:

White board and markers or Smartboard with Microsoft Word

Academic Area – Parts of Speech
This is a unit designed to enable students to identify four major parts of speech: nouns, adjectives, verbs and adverbs.

Goals and Objectives:
Identify nouns, adjectives, and action verbs adverbs in context

Instructor will: Implement a variety of whole class small groups and paired activities in order to instantiate the concept of parts of speech.

Students will: Generate lists of the four parts of speech covered as a whole class activity and in small groups.

Lesson 1–Nouns

a) Teacher will ask if anyone can define the word “noun” (Answer: person, place, thing, or idea)
b) Write “noun test” on the board:
The noun test is simply putting an article or a personal pronoun in front of a word
Example: My ____________.
The ____________.
A ______________
c) Students will generate a list of nouns which I write on the board.
d) Students will “pair and share” to create a longer list of nouns.

Lesson 2–Adjectives

a) The teacher reviews nouns, using the “noun test” and ask students to give examples of nouns which he writes on the board, (Noun test: words that follow articles or possessive pronouns.)
b) Teacher will provide the definition of adjective, “a word that modifies a noun” Ask if anyone knows what modifies means. Explain how people sometimes modify their cars.
c) Using the list of nouns generated by the students, the teacher will have students give examples of words which would modify the meaning of these nouns.

d) Teacher will introduce the “adjective test”: My ____________house is ___________
or my __________________sister is _________. (it works with any noun)

e) Select five students to fill in the blank. For example, “My blue house is clean” Or, “My young sister is smart.”
f) Pair and Share: Give students five minutes to generate lists of adjectives individually and then share the lists with their seatmates.

Lesson 3–Verbs

a) Ask students to define both types of verbs (answer: state of being verbs and action verbs)

b) This lesson will focus on action verbs. Demonstrate the Verb Test:
Yesterday I _____________ed
Let’s ____________________
Tomorrow, I will ________________

c) Direct students to generate lists of action verbs in groups of four (at their tables)
d) Review lists with entire class.

Lesson 4–Adverbs

a) Review action verb definition from lesson three.
b) Explain that adverbs “modify” verbs. (Review the word modify from lesson two)
c) Write the “adverb test” on the board:

I ran __________________
Debbie ate _____________
Buffy talks ______________

(Teacher should sure to explain that adverbs do not always have to follow the verb directly and that they are not always “-ly” words. Also note how a part of speech depends upon context. For example, in the sentence “I ran home,” “home” is an adverb, although one would usually use it as a noun. Or, in the sentence “I ran fast,” fast is an adverb, but in the sentence “Hector is a fast runner” it would be an adjective. Also inform students that this is a working definition of adverbs because adverbs can also modify adjectives and other adverbs)

Evaluation (After also teaching prepositions, interjections, conjunctions, and onomatopoeia.)

1. Distribute copies of the poem Jabberwocky by Lewis Carroll to the entire class.
2. Have students take turns reading the poem aloud, one line at a time.
3. Play a version of the poem from Youtube or Librivox.
4. Group students and allow ten minutes for them to determine the parts of speech of the nonsense words.
Example:

“Twas Brillig (adj) and the slithy (adj) toves (noun)
Did gyre and gimble (verb) in the wabe (noun):

5. Review as a teacher-directed, whole-class activity.

by Richard W. Bray