I’d like to read one of W. H. Auden’s best-known poems and one of the best-known poems, I suppose, modern poems of the last ten years. Probably someone will find that it was written in the last nine years, but it doesn’t matter…”As I walked Out One Evening.”
—Dylan Thomas (from the Caedmon Collection)
No poet consistently knocks me on my tailbone the way W.H. Auden does. Listening to Auden read Death’s Echo from the Voice of the Poet recordings makes me want to lie down in the fetal position and turn out all the lights.
As I Walked Out One Evening, depressing as it is, leaves me with some hope, however. At my lowest points, I try to remind myself that my life remains a blessing although I cannot bless.
Each stanza of “As I Walked out One Evening” is by itself a masterpiece, containing more literary merit than you will find on this entire blog.
The theme of the poem is certainly nothing new: Everything human beings do and feel is ephemeral. But a poet’s task is not to discover new themes. As Richard Wilbur notes, the “urge of poetry” is to bring its subject matter “into the felt world.”
The poem has many notable lines, but I’d like to focus on one that seems mundane at first reading, line seven:
“Under an arch of the railway”
There are, of course, many less lovely ways to express this particular image: Beneath the railroad line, below the arch which a train passes over, underneath the elevated train tracks, etc. But Auden’s construction magically sings itself off the page and into my brain where it will remain until such time as I am forced to surrender my smidge of nitrogen to the World Fund
Richard W. Bray
Tags: As I Walked Out One Evening, Death's Echo, Dylan Thomas, literature, Poetry, Richard Wilbur, The Voice of the Poet, W.H. Auden
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